Las óleos de todo Dante Gabriel Rossetti

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Painting (From A to Z)

Details

3617

A Christmas Carol

1857-58 Watercolor and gouache on panel 13 1/8 x 11 1/4 in Fogg Art Museum, Cambridge, Massachusetts

24420

A Christmas Carol (mk28)

1857-8 Watercolour and Gouache on paper,Mounted on panel 34.3 x 29.7 cm Fogg Museum of Art,Harvard University,Cambridge, MA

3579

A Sea Spell

1877 Fogg Art Museum, Harvard University

3578

A Vision of Fiammetta

1878 57 1/2 x 35 in (146 x 89 cm) Private collection

68573

A Vision of Fiammetta

Technique Oil on canvas Dimensions 146 ?? 90 cm

25988

Arthur's Tomb (mk46)

1854 Watercolour 22.9x36.8cm London,British Museum

24413

Arthur's Tomb: The Last Meeting of Launcelort and Guinevere (mk28)

1854 Watercolour on paper 23.5 x 36.8 cm British Museum London

53432

Arthur-s Tomb

mk231 1860 Oil on canvas 23.4x36.8cm

3602

Astarte Syriaca

1877 Oil on canvas 72 x 42 in Manchester City Art Gallery

22259

Astarte Syriaca (mk19)

1877 Oil on canvas,183 x 107 cm City Art Gallery,Manchester

24450

Astarte Syriaca (mk28)

1877 Oil on canvas 183 x 107 cm City Art Galleries,Manchester

3604

Aurea Catena

c. 1868 Graphite and colored chalks on blue wove paper 30 3/8 x 24 5/8 in Fogg Art Museum, Cambridge, Massachusetts

3584

Beata Beatrix

1872 34 x 26 in Tate Gallery, London

27675

Beata Beatrix

mk58 C.1864-70 oil on canvas 86.4x66cm Tate,London

28267

Beata Beatrix

c 1864-70 Oil on canvas 86.4 x 66 cm (34 x 26in) Tate Gallery London (mk63)

40728

Beata Beatrix

mk156 c.1864-70 Oil on canvas 86.4x66cm

75497

Beata Beatrix

Beata Beatrix, 1864-1870. Tate, London. cjr

77361

Beata Beatrix

1864-1870. Tate, London. Date 1864-1870 cyf

24432

Beata Beatrix (mk28)

1864-70 Oil on canvas 86 x 66 cm Tate Gallery London

24414

Beatrice Meeting Dante at a Marriage Feast,Denies him her Salutation (mk28)

1855 Watercolour on paper 34 x 42 cm Ashmolean Museum Oxford

28246

Bocca Baciata

1859 Oil on wood 33.7 x 30.5 cm (13 1/4 x 12) Museum of Fine Arts,Boston (mk63)

24424

Bocca Baciata (mk28)

1859 Oil on panel 32.2 x 27.1 cm Museum of Fine Arts Boston MA

98191

cropped version of Veronica Veronese

Oil on canvas 43 x 35 inches Samuel and Mary R. Bancroft Memorial, 1935 DAM 1935-28 The model is Alexa Wilding at Delaware Art Museum Date 1872(1872) cyf

53887

Dagdrommen

mk234 1880 160x92cm

3586

Dante's Dream at the Time of the Death of Beatrice

1871 Walker Art Gallery,Liverpool

24444

Dante's Dream at the Time of the Death of Beatrice (mk28)

1871 Oil on canvas 211 x 317.5 cm Walker Art Gallery,Liverpool

24415

Dante's Vision of Rachel and Leah (mk28)

1855 Watercolour on paper 35.5 x 31.5 cm Tate Gallery London

95054

Dantes Dream

1871 Type Oil on canvas Dimensions 216 cm x 312.4 cm cyf

24425

Dantis Amor (mk28)

1860 Oil on panel 74.9 x 81.3 cm Tate Gallery London

3611

Ecce Ancilla Domini

1849-50 28 1/8 x 16 1/2 in Tate Gallery, London

28234

Ecce Ancilla Domini

1849-50 Oil on canvas 72.6 x 41.9cm (28 5/8 x 16 1/2 in) Tate Gallery London (mk63)

53414

Ecce Ancilla Domini

mk231 Oil on canvas 1849-50 72.4x41.9cm

24403

Ecce Ancilla Domini (mk28)

THe Annunciation 1849/50 Oil on canvas 73 x 42 cm London Tate Gallery

24409

Ecce Ancilla Domini (The Annunciation) (mk28)

1850 Oil on cnavas 73 x 42 cm Tate Gallery London

42059

Ecce Ancilla Domini i

mk166 1849-1853 Galeria Tate, London

85821

Ecce Ancilla Domini!

1850(1850) Medium Oil on canvas Dimensions 73 x 41.9 cm (28.7 x 16.5 in) cyf

3596

Fair Rosamund

1861

24426

Fair Rosamund (mk28)

1861 Oil on canvas 52 x 42 cm National Museum of Wales,Cardiff

3619

Fazio's Mistress

1863 17 x 15 in Tate Gallery, London

3609

Found

1854 36 x 31 1/2 in Delaware Art Museum, Wilmington

28015

Found

1854- Oil on canvas 91.4 x 80 cm (36 x 31 1/2in) Delaware Art Museum (mk63)

24412

Found (mk28)

Begun 1854 Oil on canvas 91.5 x 80 cm Samuel and Mary R Bancroft Memorial Delaware Art Museum Wilmington DE

24429

Girl at a Lattice (mk28)

1862 oil on canvas 30.5 x 27 cm Fitzwilliam Museum University of Cambridge

40700

Girlhood of Mary Virgin

mk156 1849 Oil on canvas 86x66cm

28247

Helen of Troy

1863 Oil on canvas 32.8 x 27.2 cm (12 7/8 x 10 3/4 in) Kunsthalle Hamburg (mk63)

24430

Helen of Troy (mk28)

1863 Oil on panel 31 x 27 cm Hamburger Kunsthalle

3589

How Sir Galahad, Sir Boys and Sir Percival were fed with the Sanc Grael ; But Sir Percival's Sister

1864

24431

How Sir Galahad,Sir Bors and Sir Percival were Fed with the Sanc Grael But Sir Percival's Sister Died by the Way (mk28)

1864 Watercolour on paper 29.2 x 41.9 cm Tate Gallery London

28036

How They Met Themselves

c 1850-60 Bodycolour 33.9 x 27.3 cm (13 3/8 x 10 3/4 in) Fitzwilliam Museum,Cambridge (mk63)

3613

Il Ramoscello

1865 Fogg Art Museum, Harvard University

93360

Jane Morris

1868(1868) Medium oil on canvas cjr

24439

John Parsons Jane Morris (mk28)

1865 Photograph Victoria and Albert Museum,London

3588

Joli Coeur

1867

3592

King Rene's Honeymoon

3580

La Bella Mano

1875 Delaware Art Museum

24448

La Bella Mano (mk28)

1875 Oil on canvas 157 x 107 cm Samuel and Mary R Bancroft Memorial,Delaware Art Museum,Wilmington DE

24442

La Donna della Fiamma (mk28)

1870 Chalk on paper 100.5 x 75 cm City Art Galleries Manchester

3577

La Donna Della Finestra

1879 39 3/4 x 29 1/4 in Fogg Art Museum, Cambridge, Massachusetts

24451

La Donna della Finestra (mk28)

1878 Oil on canvas 100 x 74 cm Fogg Museum of Art,Harvard University,Cambridge MA

3583

La Ghirlandata

1873 Guildhall Art Gallery, London

27892

La Ghirlandate

1873 Oil on canvas 115.6 x 87.6 cm (45 1/2 x 34 1/2 in) Guildhall Art Gallery,London (mk63)

24446

La Ghirlandate (mk28)

1873 Oil on canvas 115.5 x 88 cm Guildhall Art Gallery,Corporation of London

3587

La Pia de' Tolomei

24440

La Piia de'Tolomei (mk28)

c 1868-80 Oil on canvas 105.8 x 120.6 cm Spencer Museum of Art,University of Kansas,Lawrence,KS

98230

La viuda romana

1874(1874) Medium oil on canvas Dimensions 104.8 x 93.3 cm cyf

3616

Lady Lilith

1868 37 1/2 x 32 in Delaware Art Museum, Wilmington

3615

Mariana

1868-70 Aberdeen Art Gallery and Museum

24441

Mariana (mk28)

1870 Oil on canvas 109 x 89 cm Aberdeen Art Gallery

3595

Monna Vanna

1866 35 x 34 in Tate Gallery, London

53455

Monna Vanna

mk231 1866 Oil on canvas 35x34in

3594

Pandora

1869

3598

Paolo and Francesca da Rimini

1855

95044

Pia de Tolomei

1868 Type oil on canvas Dimensions 105.4 cm x 120.6 cm cyf

3606

Portrait of Algernon Swinburne

1861

3599

Portrait of Elizabeth Siddal

1854

24410

Portrait of Elizabeth Siddal (mk28)

1850-65 Watercolour on paper 33 x 24 cm Fitzwilliam Museum University of Cambridge

24428

Portrait of Maria Leathart (mk28)

1862 Oil on panel 33 x 30 cm Family collection

3582

Proserpine

1874 46 x 22 in Tate Gallery, London

53457

Proserpine

mk231 1874 oil on canvas 126.4

56304

proserpine

mk247 1882,oil on canvas,30.5x14.75 in,77.5x37.5 cm,birmingham museum and art gallery,uk

24405

Proserpine (mk28)

1874 Oil on canvas 127 x 61 cm London Tate Gallery

3601

Regina Cordium

1866

28244

Regina Cordium

1860 Oil on canvas 25.4 x 20.3 cm (10 x 8in) Johannesburg Art Gallery (mk63)

24436

Regina Cordium (mk28)

1866 Oil on canvas 59.7 x 49.5 cm Art Gallery and Museum,Kelvingrove,Glasgow

24438

Reverie (mk28)

1868 Chalk on paper 84 x 71 cm Ashmolean Museum Oxford

87294

Roman Widow

1874(1874) Medium Oil on canvas Dimensions 103.7 x 91.2 cm (40.8 x 35.9 in) cyf

34943

Rosa Triplex

mk98 1874 Red chalk with touches of black and white on paper 51x73.5

3590

Saint Catherine

1857

3591

Saint Catherine

1857

3581

Sancta Lilias

1874 Tate Gallery, London

28172

Scenes from Malory's Morte d'Arthur

1857 fresco Library Oxford Union Society

24407

Self-Portrait (mk28)

1847 Pencil heightened with white on paper 19 x 19.6 cm National Portrait Gallery London

24437

Sibylla Palmifera (mk28)

1866-70 Oil on canvas 94 x 82.5 cm Lady Lever Art Gallery,port Sunlight

53453

Sir Bors and Sir Percival were Fed with the Sanct Grael

mk231 1864 29.2x41.9cm

24423

Sir Galahad at the Ruined Chapel (mk28)

1859 Watercolour and bodycolour on paper 29.1 x 34.5 cm Birmingham Museum and Art Gallery

24419

St Catherine (mk28)

1857 Oil on canvas 34.3 x 24.1 cm Tate Gallery London

3620

St. George and the Princess Sabra

1862 Watercolor on paper 20 5/8 x 12 1/8 in (52.4 x 30.8 cm) Tate Gallery, London

24434

Study for Venus Verticordia (mk28)

c 1863 Chalk on paper 77.5 x 62 cm Faringdon Collection Trust,Buscot Park Oxfordshire

51694

The Annunciation

nn09 1850 Oil on canvas mounted on wood 72.6x41.3cm

88320

The Annunciation

1849(1849) Medium Oil on canvas cyf

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Dante Gabriel Rossetti

English Pre-Raphaelite Painter, 1828-1882 Rossetti's first major paintings display some of the realist qualities of the early Pre-Raphaelite movement. His Girlhood of Mary, Virgin and Ecce Ancilla Domini both portray Mary as an emaciated and repressed teenage girl. His incomplete picture Found was his only major modern-life subject. It depicted a prostitute, lifted up from the street by a country-drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones. This was also true of his later poetry. Many of the ladies he portrayed have the image of idealized Botticelli's Venus, who was supposed to portray Simonetta Vespucci. Although he won support from the John Ruskin, criticism of his clubs caused him to withdraw from public exhibitions and turn to waterhum, which could be sold privately. In 1861, Rossetti published The Early Italian Poets, a set of English translations of Italian poetry including Dante Alighieri's La Vita Nuova. These, and Sir Thomas Malory's Morte d'Arthur, inspired his art in the 1850s. His visions of Arthurian romance and medieval design also inspired his new friends of this time, William Morris and Edward Burne-Jones. Rossetti also typically wrote sonnets for his pictures, such as "Astarte Syraica". As a designer, he worked with William Morris to produce images for stained glass and other decorative devices. Both these developments were precipitated by events in his private life, in particular by the death of his wife Elizabeth Siddal. She had taken an overdose of laudanum shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and buried the bulk of his unpublished poems in his wife's grave at Highgate Cemetery, though he would later have them exhumed. He idealised her image as Dante's Beatrice in a number of paintings, such as Beata Beatrix. These paintings were to be a major influence on the development of the European Symbolist movement. In these works, Rossetti's depiction of women became almost obsessively stylised. He tended to portray his new lover Fanny Cornforth as the epitome of physical eroticism, whilst another of his mistresses Jane Burden, the wife of his business partner William Morris, was glamorised as an ethereal goddess.

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